Torn (Cold Awakening)

  PRAISE FOR TORN

  “A convincing and imaginative dystopia that her characters fill with action and a wide range of human emotion.”

  —Kirkus

  “A satisfying conclusion to the trilogy. The ending will leave readers pondering the nature of humanity.”

  —SLJ

  “This is one of the best final-book-in-a-series I have ever read.”

  —evesfangarden.com

  “The twist-filled payoff I had been hoping for all along.”

  —presentinglenore.blogspot.com

  ALSO BY ROBIN WASSERMAN

  The Cold Awakening trilogy

  Hacking Harvard

  The Seven Deadly Sins series

  This book is a work of fiction. Any references to historical events, real people, or real locales are used fictitiously. Other names, characters, places, and incidents are the product of the author’s imagination, and any resemblance to actual events or locales o r persons, living or dead, is entirely coincidental.

  SIMON PULSE

  An imprint of Simon & Schuster Children’s Publishing Division

  1230 Avenue of the Americas, New York, NY 10020

  www.SimonandSchuster.com

  First Simon Pulse paperback edition October 2011

  Copyright © 2010 by Robin Wasserman

  Previously published as Wired.

  All rights reserved, including the right of reproduction in whole or in part in any form.

  SIMON PULSE and colophon are registered trademarks of Simon & Schuster, Inc.

  Also available in a Simon Pulse hardcover edition.

  The Simon & Schuster Speakers Bureau can bring authors to your live event. For more information or to book an event contact the Simon & Schuster Speakers Bureau at 1-866-248-3049 or visit our website at www.simonspeakers.com.

  Designed by Mike Rosamilia

  The text of this book was set in Edlund.

  Manufactured in the United States of America

  2 4 6 8 10 9 7 5 3 1

  The Library of Congress has cataloged the hardcover edition as follows:

  Wasserman, Robin.

  Wired / by Robin Wasserman

  p. cm.

  Sequel to: Crashed.

  Summary: Lia is back at home, pretending to be the perfect daughter, but she has become the public face of the mechs, devoting her life to convincing the world that she and others like her deserve to exist, until shocking truths are revealed, forcing her to make a life-changing decision.

  ISBN 978-1-4169-7454-3 (hc)

  [1. Science fiction.] I. Title.

  PZ7.W25865Wir 2010

  [Fic]—dc22

  2010010237

  ISBN 978-1-4169-3636-7 (pbk)

  ISBN 978-1-4224-3361-8 (eBook)

  For my parents, Barbara and Michael Wasserman, who did everything right.

  (Though I never did get a puppy.)

  CONTENTS

  Chapter 1: No More Secrets

  Chapter 2: Happy Together

  Chapter 3: Unforgiven

  Chapter 4: Sacrifice

  Chapter 5: Homewrecked

  Chapter 6: What Lies Beneath

  Chapter 7: Jump

  Chapter 8: Payback

  Chapter 9: Gone

  Chapter 10: Empty

  Chapter 11: Hidden

  Chapter 12: Safe Haven

  Chapter 13: Trust

  Chapter 14: For Your Protection

  Chapter 15: Righteous

  Chapter 16: Fallen

  Chapter 17: After

  Acknowledgments

  TORN

  All moveables of wonder, from all parts,

  Are here—

  . …

  The Bust that speaks and moves its goggling eyes,

  The Wax-work, Clock-work, all the marvellous craft

  Of modern Merlins, Wild Beasts, Puppet-shows,

  All out-o’-the-way, far-fetched, perverted things,

  All freaks of nature, all Promethean thoughts

  Of man, his dulness, madness, and their feats

  All jumbled up together, to compose

  A Parliament of Monsters. …

  —William Wordsworth

  Humans are machines of the angels.

  —Jean Paul

  NO MORE SECRETS

  “Just make them love you.”

  This is not real.

  “This is real,” I said, because the voice in my head ordered me to say it.

  Because machines follow orders, and I am a machine.

  This is not me.

  “This is me,” I said. Because I was programmed to lie.

  You see everything, but you get nothing.

  “What you see is what you get,” I said, and I smiled.

  You see: Perfect lips drawn back in a perfect smile. Perfect skin pulled taut over a perfect body.

  You see: Hands that grasp, legs that stretch, eyes that understand.

  You see a machine that plays the part she was built to play. You see a dead girl walking. You see a freak, a transgression, a sin, a hero. You see a mech; you see a skinner. You see what you want to see.

  You don’t see me.

  “So it doesn’t bother you, millions of people watching your every move?” the interviewer asked. She was sweating under the camera lights. I wasn’t. Machines neither sweat nor shiver; we endure. This interviewer had a reputation for wringing tears from all her interview subjects, but in my case it would be easier to get a toaster to cry. So something else was needed. Extra feeling from her, to make up for my lack. Shining eyes welling with liquid, rosy cheeks at opportune moments for anger or passion, a shudder for effect when we passed through the really gory parts: the aftermath of the accident, the uploading of spongy brain matter into sterile hardware, the death and reawakening. I had to admit her act was better than mine. But then, pretending to be human is easier when you actually are.

  “You don’t feel like you need to put on an act for us? Keep something private, something only for you?”

  Artificial neural synapses fired, and electrical impulses shot through artificial conduits, zapped artificial nerves. My perfect shoulders shrugged. My perfect forehead wrinkled in the perfect approximation of human emotion.

  “Why would I?” I said.

  It had been fifteen days. Fifteen days of posing and preening under their cameras, mouthing their words, following their orders. Burrowing deeper into my own head, desperate for some hidden refuge that their cameras couldn’t penetrate, somewhere dark and empty and safe that belonged only to me.

  Widen eyes.

  Tilt head.

  Smile.

  “After all, I have nothing to hide.”

  Day one.

  “I’ll be fine,” I said flatly. I’d had voices in my head before. One of the many perks of being a machine: the potential for “improvements.” Like a neural implant that would let me speak silently to other mechs, and hear their voices in my head. Like infrared vision and internal GPS and all the other inhuman modifications I’d had stripped away when I moved back in with my org parents and my org sister and pretended to return to my org life. Like I could close my eyes, make a wish, and suddenly be organic again, suddenly be the living, breathing Lia Kahn that had gotten into that car a year ago, pulled onto the highway, slammed into a shipping truck, and been blown into a million burned, bloody pieces.

  “The commands will feed directly into your auditory system, and it’ll sound like the voice is coming from inside your head,” Ben said, giving the equipment one final check like the perpetual employee-of-the-week I knew him to be. BioMax’s best mender of broken mechs—mender, fixer, occasionally builder, but, as he was always careful to clarify, not doctor. Doctors tended to real, live orgs, and Ben fixed broken-d
own machines who only looked human. These last six months, every single thing in my life had changed and changed again, everything except for Ben, who was a constant: same tacky flash suits, same waxy hair, same plastic good looks. Same fake-modesty shtick, as in Aw, shucks, I’m no one important, no one to be afraid of, certainly no one who’d keep secrets from you and manipulate you and blackmail you and hold the power of life and death over your remarkably lifelike head; I’m just a guy, like any other, so you can call me Ben. “Some people get disoriented by the voice—”

  “I want to make sure you understand how everything’s going to work,” call-me-Ben said, always pushing. “Once things start, we’re not going to have a chance to talk like this.”

  “What a shame.”

  He ignored me. “So if you have any questions, it’s best to ask—”

  “If Lia says she’ll be fine, she’ll be fine.” That was Kiri Napoor, director of public relations and my own personal liaison to the BioMax powers that be. She caught my eye and winked, Kiri-speak for I know he’s lame; just go with it.

  Kiri was my watchdog, assigned to make sure I kept both feet on the company line. When they’d first told me about her, I’d imagined a female version of call-me-Ben, some puffbag of hot air with a tacky weave and skin pulled watertight from one too many lift-tucks, a nag who would follow me around all day, tattling back to her BioMax overlords every time I opened my mouth. Instead she turned out to be Kiri, with her sleek purple hair, perma-smirk, impeccable taste (retroslum shift dress paired with networked boots flashing mangarock vids, that first time I saw her), and enough of a punk twist to make her look cool without even trying.

  “You say you want to help the mechs,” she’d said, that first day. “So I trust you to do that. I’m not here to spy on you; I’m here to help you.”

  It was pretty much the same line call-me-Ben had been feeding me ever since I’d signed on to the BioMax cause. But when Kiri said it, something in her voice suggested she thought as little of the corp as I did, and felt the same about the crap spewing out of her mouth. Then she’d kicked call-me-Ben out of the room, telling him that from now on if he wanted to bother me, he’d have to bother her first. That sealed the deal.

  Kiri was the only reason I’d gone along with this stupid idea to begin with. It had been hers, which meant it couldn’t be all bad. At least that’s what I’d let myself believe when she talked me into it.

  Guesting in a vidlife meant wiring myself with micro-cams and mics, ensuring that anyone who wanted could track my every move. Worse, it meant playing whatever part my audience wanted to give me. The perfect blend of scripted melodrama and absolute 24/7 reality, that’s how they had advertised it when vidlifes first started popping up. Your favorite characters mouthing your lines, dosing on your favorite b-mod, hooking up with your choice of guy, running their lives by your rules and ruining their lives for your personal entertainment.

  I told myself that it wasn’t any different from what I’d been doing for the last six months as BioMax’s poster child for the happy, healthy mech, doing what they told me to do, saying what they told me to say, bowing and scraping for board meetings and press conferences and legislative committees, dangling on their strings. I’d started because my father had asked me to, and I was still playing nice, honoring the letter of our bargain—I got all the credit I needed to help Riley, and my father got his daughter back. Or at least a reasonable simulacrum thereof. But once I’d made the obligatory appearances he’d asked of me, I stuck around. I’d always been good at acting the part, and at least this time the act would be for a good cause.

  Baby steps, that was the plan. Persuade the orgs that the mechs offered no threat, meant no harm. That we were just like them. That we were young and foolish—yet also mature. Carefree, yet responsible. Predictable, yet prone to petty spats and parties like the orgs our age. It meant walking a fine line, and singing different songs to different audiences. Kiri customized the sober lectures I delivered to boardrooms, the grinning idiot I made myself into for pop-up ads, each persona carefully crafted to suit its circumstances—irrelevant, apparently, that none of them suited me.

  The vidlife took the act one step further. We would offer them proof—24/7, in living color—that I was no more harmless and no less vapid than your average rich-bitch wild child. We would sucker them into caring about my fights and flings, sacred pacts and romantic treasons, and without realizing it, they would come to believe that I cared, that I felt. That I was, in my petty melodramas of daily life, no different from them. Or at least no different from the other people they watched on the vids. There were those at BioMax who couldn’t understand how acting a part would convince anyone of anything about the “real” me—but they were the ones who didn’t watch vidlifes. Those of us who did knew the shameful truth: No matter how much you knew you were watching live-action puppets play out the fantasies of the masses, the more you watched the vidlifers, the more you believed in them. That was, after all, the whole point of the vidlife: to forget the fantasy and accept the reality. To ignore the distinction between “reality” and “real.”

  “Ready?” call-me-Ben asked.

  I nodded, and he exchanged a cryptic set of gestures with the vidlife rep, then gave me a thumbs-up. That was it. This was it.

  Nothing seemed different. Nothing felt different. The buzzing of the micro-cam hovering over my shoulder could have been a fly.

  Just make them love you, I reminded myself, waiting for something to happen. Preparing myself to be bright and sparkly, harmless and irresistible, to be the old Lia Kahn, the one who didn’t run on rechargeable batteries. We’re the same people we used to be, I’d said at meeting after meeting, lying through my porcelain teeth. We’re perfect copies of our old selves. We’re exactly like you.

  The voice, when it finally spoke, was inflectionless and personality-free.

  There’s a party at the Wilding, the voice said. From what I’d heard, there was always a party at the Wilding. The club ran full speed from dusk till dawn and round to dusk again, the dancers and dosers locking themselves in a nonstop fantasy. Find something to wear and check it out.

  “You know what?” I said brightly. “I feel like dancing. Maybe I’ll go find myself a party.”

  And without waiting for a response, I skipped out of the bunkered office, already mentally running through my wardrobe, wondering what would be suitable for the Wilding, wondering what the voice would make me do once I got in.

  Wondering who would be watching.

  Day three.

  Mechs don’t get tired. We don’t, technically, need to sleep. And obviously there’s no need to eat or drink or rest our legs from hour after hour of whirling beneath spinning neon lights, arms twirling, head thrown back, bass-pumping music shaking the walls, floor undulating beneath our feet, bodies on bodies pressed together, sticky, sweaty, salty flesh grinding against flesh, and in the center, me. Seventy-two hours at the Wilding, watching dancers flow in and out, like jellyfish washing up on the beach, then dragged out again by the rising tide, ragged and desiccated by their hours in the sun. Except here in the Wilding there was no sun, no hint of anything that might mark the time passing, or the daylight world beyond its midnight walls.

  It turned out the Wilding had only one rule, anything goes, which was good for me since I’d heard one too many stories about mechs trying to slip into org-only clubs and getting the shit pounded out of them. But here the wasted masses were too lost in their dancing, their shockers, their threesomes and foursomes, their licking and tonguing and whipping, to notice what I really was, or to care.

  “You need a guy,” Felicity shouted in my ear, with a giggle that sounded almost sincere. Everything she said sounded almost sincere—the same went for Pria and Cally, the other two vidlife regulars who’d swept me into their circle as soon as I stepped into the club. The fly cams buzzing over our heads glowed as they came within range of one another, and on cue the lifers laughed and shrieked, stroked my hair, whipp
ed me in wild loops across the packed dance floor, and didn’t seem to care that I was a mech—which of course only meant that their characters didn’t care, and they were playing their parts.

  Cally grabbed my shoulders and kneaded her thumbs into the synflesh. “Definitely need a guy,” she agreed. “You’re way too tense.”

  “I’m just tired,” I shouted back, my body still rippling in time with the music, arms, legs, hips on autopilot as we bobbed on the synthmetal waves. “Don’t you ever get … tired?” I didn’t mean tired of dancing. And they knew it.

  “Never,” Felicity said, twirling in place. Her red hair furled around her head like a cloud of fire.

  “But don’t you ever …” I chose my words carefully. No mention of cameras or privacy, nothing that would burst the delicate vidlife bubble. “… feel like a break?”

  “Break from what? This is life.” Pria giggled. She threw her arms in the air, where they flickered and whorled like ribbons in the wind. She’d been vidlifing for two years without a day off, and I wondered if she even knew the difference anymore. What would she do if the voice in her head went silent and left her on her own?

  “Come on, pick someone,” Pria urged me. She twisted me in a slow circle, her pointed finger hopping from a weeper with huge biceps and teary hangdog eyes to an albino blond to an artfully scruffed guy, bare from the waist up and dosed out on Xers, who happened to be a dead ringer for Walker, my org ex. Not going to happen.

  “Look, I already have—” I stopped, reminding myself that for these fifteen days Riley—or, more specifically, Riley-and-me—did not exist. No one wanted their vidlifers tied down, at least not with an outsider, and certainly not with another mech, a random from a city who’d never been to a club and, if he had, would have spent the night sitting in a corner, still and silent as his chair. It would be different if Riley had agreed to go on the vidlife with me. It might have been an appealing novelty act, he-and-she mechs, a matched set ready and willing to show off how anatomically correct—how lustful, how passionate, how human—the walking dead could be. But Riley never would have agreed to something like that, so I hadn’t asked.